Last edited by Neshicage
Friday, July 31, 2020 | History

3 edition of English romantic prose found in the catalog.

English romantic prose

papers delivered at the Bochum Symposium, September 30 to October 1, 1988

  • 338 Want to read
  • 13 Currently reading

Published by Die Blaue Eule in Essen .
Written in English

    Places:
  • Great Britain
    • Subjects:
    • English prose literature -- 19th century -- History and criticism -- Congresses.,
    • English prose literature -- 18th century -- History and criticism -- Congresses.,
    • Romanticism -- Great Britain -- Congresses.

    • Edition Notes

      Includes bibliographical references.

      StatementGünter Ahrends, Hans-Jürgen Diller (eds.).
      SeriesStudien zur englischen Romantik ;, Bd. 3
      ContributionsAhrends, Günter, 1937-, Diller, Hans-Jürgen.
      Classifications
      LC ClassificationsPR778.R65 E5 1990
      The Physical Object
      Pagination160 p. ;
      Number of Pages160
      ID Numbers
      Open LibraryOL1944557M
      ISBN 103892062889
      LC Control Number90167335

        It is interesting to observe that English prose writers attempted different kinds of prose during this period. Fisher and Cranmer () popularized theological writings and historical prose was presented in The Chronicle of England by Capgrave () who wrote in Author: English Notes. English literature - English literature - The Romantic period: As a term to cover the most distinctive writers who flourished in the last years of the 18th century and the first decades of the 19th, “Romantic” is indispensable but also a little misleading: there was no self-styled “Romantic movement” at the time, and the great writers of the period did not call themselves Romantics.

      The best prose poetry and modernist French poetry, including Arthur Rimbaud, Gertrude Stein, Francis Ponge and Claudia Rankine, recommended by Jeremy Noel-Tod, poetry critic and editor of the Penguin Book of the Prose Poem.   In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of.

      The most elaborate and highly articulated criticism appears in Coleridge’s Biographia Literaria or Sketches Of My Literary Life And Opinions (),—the most prestigious critical document of the Romantic Movement—that transferred in English criticism the key concept of imagination which: “reveals itself in the balance of reconciliation of opposite or discordant qualities: of sameness. 43 Of The Most Romantic Lines From Literature perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music.


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